Cinema Studies and Moving Image Arts

Aspiring filmmaker and ̽»¨ÊÓƵ senior Francesca Hiatt’s short film, Cherry Yogurt, relies on subtlety to touch on grief and support, viewed through children’s eyes.

Fifty years after ‘Jaws’ made swimmers flee the ocean, ̽»¨ÊÓƵ cinema scholar Ernesto Acevedo-Muñoz explains how the 1975 summer hit endures as a classic.

What happens when a freshly minted film studies graduate heads out into the world with no particular plan? How A&S alum Patrick Hoffman went from taxi driver to private investigator to successful author.

In honor of what would have been Paul Newman’s 100th birthday, ̽»¨ÊÓƵ film historian Clark Farmer considers whether there still are movie stars.

̽»¨ÊÓƵ’s chair of Cinema Studies and Moving Image Arts shares insights on Stanley Kubrick’s masterpiece ‘doomsday sex comedy’ and why the film is more relevant than ever.

In honor of what would have been Al Capone’s 125th birthday, ̽»¨ÊÓƵ cinema researcher Tiel Lundy explains the enduring popularity of gangsters in film and the American imagination.

CU cinema alum Nick Houy discusses his work editing the megahit Barbie and the joys of storytelling.

̽»¨ÊÓƵ Associate Professor Kelly Sears will premiere her short, animated feature ‘The Lost Season’ at the Sundance Film Festival beginning Thursday.

This new program, headed up by the social sciences division, recognizes students that are taking a stand

John W. Comerford, who discovered the power of film at ̽»¨ÊÓƵ, arranges major gift to its Brakhage Center for Media Arts.